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"I've been working with egg tempera since I lost my studio, about four and a half years ago. I mix the colors myself, and a single piece, on average, can take over a year to finish. But I work on several at a time, because sometimes I have to put one aside for awhile. Sometimes I get so physically tired that I have to make myself stop working. I paint on weekends, but I also try to paint during the week. When I get home, I do something like organize papers for a little bit, then about 9pm I'll start painting, and I sometimes paint until midnight, but usually I quit about 11pm. After I put it aside for a while, and then I pull it out and take a look... if I think "gee, that doesn't look too bad, " then it's a success. I'm looking for some balance, and clarity, and I really like it when it has the quality of popping out of the surface, but I don't often achieve that. I've tried having intentions when I start working on a piece, but for whatever reason, I never feel like I'm able to pull it off. If I try too hard to go with my intention, then I wind up with a stiff, stilted piece. The backgrounds are from my imagination but the actual objects are from observation. It's little stuff that I have sitting around, and for whatever reason it looks interesting to my eye. It's got to be some kind of visual thing that catches the attention of my subconscious." -- excerpts from interview with T. Newson on Working Artist's Journal email; tnewson@newsguy.com |
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Images: (top) "Mortar, Pestle, Marble, Tile" egg tempera on panel ©2003, 4" x 4" (middle left) "Egyptian Perfume Bottle #1", egg tempera on panel ©2004, 5" x 3" (middle right) "Bone Found at the Beach" egg tempera on toned paper ©2004, 7" x 5" (bottom) "Chicken Skull" silverpoint on toned paper ©2004, 4" x 5" |
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Six artists will be exhibiting at BigCrow studios during San Francisco Open Studios October 21st and 22nd, 2006 1426 41st Avenue (near Judah) in the Sunset District of San Francisco MAP of our location, and other nearby studios from the 2005 event |
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